There are some musical traditions that seem to carry within them something larger than music itself. The African American spiritual is one of them. Born out of the experience of enslaved Africans and their descendants in America, the spiritual is among the most profound and enduring contributions to our nation’s musical heritage. These songs emerged from a people whose freedom had been taken from them, whose lives were marked by extraordinary hardship and injustice, and whose voices nevertheless found a way to sing. The spirituals remind us that the human spirit is capable of remarkable things. It can endure. It can hope. It can lament. It can rejoice. It can resist. And sometimes, when words alone are not enough, it can sing.
It is important to understand that spirituals did not emerge from some abstract musical tradition. They were created by African Americans living under the brutal reality of slavery. They drew upon Christian hymns and biblical stories, but they also incorporated musical and cultural traditions brought from Africa, including call and response, rhythmic vitality, improvisation, and a deeply communal approach to singing. Much of this music was transmitted orally, from one generation to another.
The biblical stories that appear so frequently in spirituals were not simply stories from a distant past. They spoke directly to the lives of the people who sang them. When someone sang Joshua fit the battle of Jericho, the story of walls coming down could carry a powerful resonance for someone living behind the walls of oppression. When someone sang Deep River, the image of crossing over Jordan could speak simultaneously of faith, deliverance, and longing for freedom. When someone sang Sometimes I Feel Like a Motherless Child, the words gave voice to an anguish that could be intensely personal. And when someone sang Swing Low, Sweet Chariot, the longing for release could be heard on many levels at once – spiritual, emotional, and at times even earthly.
Perhaps what moves me most about this music is its extraordinary emotional range. The spiritual can be mournful without being hopeless. It can be joyful without ignoring suffering. It can be exuberant and deeply contemplative within the space of a single song.
Consider Every Time I Feel the Spirit. There is something almost paradoxical about that title. It does not say “every time I understand the spirit” or “every time I can explain the spirit.” It says “every time I feel the spirit.” That distinction seems important. The spiritual is not primarily an intellectual experience. It is emotional. It is something felt – in the voice, in the rhythm, in the breath, in the gathering of people who sing together. The music can begin quietly and grow into something almost overwhelming. A single voice can become many voices, and many voices can sound like one. That is the power of This Little Light of Mine. A light may be small. A single voice may be small. A single person may feel powerless in the face of enormous circumstances. But when that light is shared, and when those voices join together, something changes. The spiritual says, in effect: “I am still here. I still have a voice. I still have hope. I will sing.”
The journey of the spiritual did not end with emancipation. These songs continued to live in African American churches and communities, and eventually they traveled far beyond them. In the decades following the Civil War, groups such as the Fisk Jubilee Singers brought spirituals to audiences throughout the United States and abroad. Composers and arrangers subsequently created concert versions of the music, and spirituals became an important part of the American choral tradition. They have influenced generations of composers and performers and helped shape later forms of African American music, including gospel, blues, and other musical traditions.
Yet something remarkable happens when we encounter these songs in the concert hall. We are not simply singing beautiful arrangements of old melodies. We are singing music that has survived. We are singing music that was carried in memory. We are singing music whose original creators were, for the most part, not identified by name. We are singing music that passed from one human voice to another when there was no printed score to preserve it. We are singing music that carried stories, faith, sorrow, determination, and hope across generations. In that sense, every performance of a spiritual is also an act of remembrance.
This is ultimately what Feel the Spirit should mean to us. The phrase is not limited to religious belief, although spirituality is undeniably at the center of the African American spiritual tradition. It speaks more broadly to that mysterious and powerful part of human experience that refuses to be extinguished. The spirit is felt in joy. The spirit is felt in sorrow. The spirit is felt when we remember. The spirit is felt when we hope. The spirit is felt when we stand together. And perhaps most importantly, the spirit is felt through song when circumstances would give us every reason to remain silent.
That is why these songs continue to speak to us more than a century and a half after many of them were first created. They belong specifically to the African American experience, and we should honor that history rather than separating the music from the people whose lives gave it birth. But they also possess a remarkable capacity to reach beyond their origins and touch something universal in all of us.
Spirituals remind us that the human spirit can be wounded without being destroyed, burdened without being defeated, and tested without surrendering its capacity for hope. When that spirit finds its voice in song, something extraordinary happens.
~ Michael O’Neal
Music Down in My Soul
arr. Moses Hogan
MOS
This Little Light
arr. Sandra Lutters
Indra Thomas, Soprano
Come By Here
arr. Kyle Pederson
MOS
Witness
arr. Hall Johnson
Indra Thomas, Soprano
Swing Low, Sweet Chariot
arr. Moses Hogan
MOS
Ride on, King Jesus!
arr. Hall Johnson
Indra Thomas, Soprano
Down By the Riverside
arr. Ryan Murphy
MOS
Balm in Gilead
arr. Harry T. Burleigh
Indra Thomas, Soprano
Ain-a That Good News!
arr. William L. Dawson
Get On Board, Little Children
arr. André Thomas
MOS
arr. John Rutter
- Joshua fit the battle of Jericho
- Steal away
- I got a robe
- Sometimes I feel like a motherless child
- Ev’ry time I feel the spirit
- Deep river
- When the saints go marching in
Known for her lush and warm voice, Indra Thomas has performed at many of the world class opera houses and venues, such as the Metropolitan Opera and the Vienna State Opera; she has performed at prominent venues here in the US, France, Germany, Spain and England, including the Royal Albert Hall and Carnegie Hall. Among numerous top orchestras with which she has appeared are the New York Philharmonic, the London Symphony and Leipzig’s Gewandhaus Orchestra – as well as leading orchestras in Paris, Spain, Brazil, the Netherlands, Japan, Finland, South Korea, Malaysia, Abu Dhabi, Boston, Cleveland and Detroit. Ms. Thomas has graced several famous music festivals such as the Bregenz Festspiele in Bregenz, Austria, Chorégies , d’Orange in France and the Proms Summer Festival in London.
Her movie credits are “The Upside” and the Academy Award-winning film “Driving Miss Daisy”. She was Emmy nominated for her performance of the “Porgy and Bess Suite” on the New Year’s Eve Broadcast Live from Lincoln Center; Grammy Nominated for her recording of Michael Tippett’s “A Child Of Our Time” with the London Symphony Orchestra and multiple Off- Broadway nominated opera Intimate Apparel. And lastly, Ms. Thomas is recipient of the Joseph R. Biden Lifetime Achievement Award.
You can find Ms. Thomas’ music on iTunes and Amazon music and on any of the streaming platforms.
Ms. Thomas is a native of Atlanta, Georgia. She has a BM from Shorter College and an Artistic Diploma from the prestigious Academy of Vocal Arts in Philadelphia. She serves as Artist in Residence in Voice at Berry College in Rome, GA.
Nancy Schechter, concertmaster
Kathy Jaques, violin
Sherry Ellis, viola
Jared Cooper, cello
Peter Hildebrandt, bass
Jim Zellers, flute
Stephanie Beck, oboe/english horn
Barbaraann Bongiovanni, clarinet/bass clarinet
Greg Pritchard, bassoon
John Pirtle, horn
Patrick McAvoy, trumpet
Nella Rigell, harp
Jen Mautz, timpani
Mike Del Campo, percussion
Allen Baston, piano
Soprano 1
Drema Canterbury
Charmaine D’Mellow
Aimee Elder
Andrea Ferrard (Kaleidoscope member)
Sarah Flippin (Kaleidoscope member)
Susan Hughes (Kaleidoscope member)
Emily Israel
Brenda Lundy
Meagan McAninch (Kaleidoscope member)
Charlene McGowan
Sonya Ovbey
Jackie Putnam (Kaleidoscope member)
Allison Rose
Lois Spritzer
Rachel Thornton
Soprano 2
Samantha Brandt
Pamela Burns (Kaleidoscope member)
Sandy Burroughs
Lucy Christie (Kaleidoscope member)
Linda Clagg
Brianna Clark
Tina Coté
Meredith Hall
Keller Kuhn
Susan McDonald
Kaley McLaughlin
Linda Parisi
Mary Parsons
Sarah Sanke (Kaleidoscope member)
Elizabeth Sims (Kaleidoscope member)
Anne Strickland
Mary Upshaw
Alto 1
Céline Bell (Kaleidoscope member)
Sara Branch
GayLyn Ferry (Kaleidoscope member)
Lisa Gundersen
Seema Jani (Kaleidoscope member)
Leslie Jones
Juliette Keelan
Karen Kolpitcke
Saralyn Levine
Judy O’Neal
Winnie Soufi
Pat Steffen
Cammie Stephens (Kaleidoscope member)
Glenda Sullivan
Carolyn Swain
Callie Tucciarone
Beth Wilson
Alto 2
Mary Ellen Connelly
Susan Foster (Kaleidoscope member)
Joanna Grisham (Kaleidoscope member)
Connie Heefner (Kaleidoscope member)
Kimberly Izor
Heather Morse (Kaleidoscope member)
Marilyn Picciano
Mary Rue
Sarah Sangrigoli
Linda Shrake
Laurie Spencer
Terri Stewart (Kaleidoscope member)
Elizabeth Sullivan
Elizabeth Williams
Tenor 1
Dave Dupee
Clay Hales (Kaleidoscope member)
Lee Herring
Sean Kilpatrick
Patrick Maloof (Kaleidoscope member)
John Murillo
Greg Picciano
Moisés Prado (Kaleidoscope member)
Willie L. Smith
Reece Windjack (Kaleidoscope member)
Dwayne Wright (Kaleidoscope member)
Tenor 2
Richard Bomba (Kaleidoscope member)
Ron Eddleman (Kaleidoscope member)
Bill Henderson (Kaleidoscope member)
Andrew Kagan
Dennis Love
John Petre-Baumer (Kaleidoscope member)
Richard Rowlands
Chuck Shrake
Linden Sims
Joe Steele (Kaleidoscope member)
Charlie Sullivan
Stan Wooley
Baritone
Jack Grimes (Kaleidoscope member)
Don Hall
Doug Hartong
Allan Kennedy
Patrick Lundy (Kaleidoscope member)
Ken Macek
George Mannheimer
Michael Marcinko
Bill Parsons
Richard Phillips
Bob Rumble (Kaleidoscope member)
Trevor Terris
Bill Waldorf (Kaleidoscope member)
Ben Ward
Bass
David Cameron (Kaleidoscope member)
David Conaway
Joe Griffin
Ben Jackson
Jack McCoy (Kaleidoscope member)
John O’Neill
Ajith Philip
Glenn Rosenkoetter (Kaleidoscope member)
Alberto Sapoznik
John Scott (Kaleidoscope member)
Gordon Shepherd
Brit Taylor (Kaleidoscope member)
Music Down in My Soul
I hear music in the air,
I can feel it in the air,
There must be a God somewhere!
Over my head I hear music in the air,
Over my head I hear music in the air,
There must be a God somewhere!
Over my head I hear singing in the air,
Over my head I hear singing in the air,
There must be a God,
There must be a God,
There must be a God somewhere!
I’ve got this music down in my soul,
And it fills my heart with the joy of the Lord!
I’ve got this music down in my soul,
And it fills my heart with the joy of the Lord!
I’ve got joy,
I’ve got it, joy, everlasting.
I’ve got peace,
I’ve got it, peace, everlasting.
I’ve got love,
I’ve got it, love, everlasting.
I’ve got joy,
I’ve got it, joy, everlasting.
Love in my heart,
Oh yes, I’ve got peace in my soul,
Oh yes, I’ve got joy in my heart,
Joy today.
Do you love the Lord?
I love the Lord!
Do you love the Lord?
I love the Lord!
Do you love the Lord?
I love the Lord!
Do you love the Lord?
I love the Lord!
Do you love the Lord?
I love the Lord!
Do you love the Lord?
I love the Lord!
Well,
I’ve got joy,
I’ve got it, joy, everlasting.
I’ve got joy,
I’ve got it, joy, everlasting.
Peace,
I’ve got it, peace, everlasting.
Peace,
I’ve got it, peace, everlasting.
Love,
I’ve got it, love, everlasting
I’ve got joy – I’ve got joy,
I’ve got peace – I’ve got peace,
I’ve got love – I’ve got love,
In my soul!
This Little Light of Mine
This little light
This little light of mine
I’m gon’ let it shine
This little light of mine
I’m gon’ let it shine
This little light of mine
I’m gon’ let it shine
Let it shine
Let it shine
Let it shine
All around this world
I’m gon’ let it shine
All around this world
I’m gon’ let it shine
All around this world
I’m gon’ let it shine
Let it shine
Let it shine
Let it shine
Ev’ry where I go
I’m gon’ let it shine
Ev’ry where I go
I’m gon’ let it shine
All around this world
I’m gon’ let it shine
Let it shine
Come By Here
Come by here, my Lord, come by here
Come by here, my Lord, come by here
Come by here, my Lord, come by here
O Lord, come by here
Someone’s prayin’, Lord, come by here
Someone’s prayin’, Lord, come by here
Someone’s prayin’, Lord, come by here
O Lord, come by here
Someone’s cryin’, Lord, come by here
Someone’s cryin’, Lord, come by here
Someone’s cryin’, Lord, come by here
O Lord, come by here
In the morning, Lord
In the evening, Lord
You are here
In my waking, Lord
In my sleeping, Lord
You are here
In my pleading
Waiting
Caring
Loving
Blessing
Grieving
Hoping, Lord
You are here
In my longing
Falling
Hiding
Rising
Healing
Aching
Laughing
Praising
Seeking
Finding
Breathing
Dying, Lord
You are here
Come by here, my Lord, come by here
O Lord, you are here
Witness
Oh, Lord, what manner of man is dis?
All nations in Him are blest;
All things are done by His will;
He spoke to de sea an’ de sea stood still.
Now ain’t dat a witness for my Lord?
Ma soul is a witness for my Lord.
Now dere was a man of de Pharersees,
His name was Nicodemus an’ ‘e didn’ believe.
De same came to Chris’ by night,
Wanted to be taught out o’ human sight.
Nicodemus was a man desired to know
How a man kin be born when he is ol’.
Chris’ tol’ Nicodemus, as a frien’,
“Man, you mus’ be born again.”
Said, “Marvel not, man, ef you wanter be wise,
Repent, believe an’ be baptize’.”
Den you’ll be a witness for my Lord.
Soul is a witness for my Lord.
You read about Samson, from his birth
Stronges’ man dat ever lived on earth.
‘Way back yonder in ancien’ times
He killed ten thousan’ of de Philistines.
Den ol’ Samson went wand’rin’ about;
Samson’s strength was never found out
Till ‘is wife sat upon ‘is knees.
She said, “Tell me where yo’ strength lies, ef you please.”
Now Samson’s wife, she talk so fair,
Samson said, “Cut off a my hair.
Shave my head jes’ as clean as yo’ han’
An’ my strength will ‘come lak a natchul man.
Ol’ Samson was a witness for my Lord.
Da’s another witness
Ma soul is a witness for my Lord!
Swing Low, Sweet Chariot
Swing low, sweet chariot,
Comin’ for to carry me home.
Swing low, sweet chariot,
Coming for to carry me home.
I looked over Jordan and what did I see?
A band of angels comin’ after me,
Comin’ for to carry me home.
If you get there before I do,
Tell all my friends I’m comin’ too,
Comin’ for to carry me home.
Mother’s gone, father’s gone,
Sister gone, brother gone.
Swing low, chariot, swing low.
Ride on, King Jesus!
Ride on, King Jesus, no man can-a hinder me.
Ride on, King Jesus, ride on.
No man can-a hinder me.
For He is King of kings,
He is Lord of lords,
Jesus, Christ, de first an’ las’,
No man works like Him.
King Jesus rides a milk-white horse,
No man works like Him.
Duh river of Jerdin He did cross.,
No man works like Him.
King Jesus rides in de middle o’ de air,
Oh! He calls duh saints from ev’rywhere.
Ride on, King Jesus, no man can-a hinder me.
Ride on, King Jesus, ride on.
No man can-a hinder me.
He is duh King, He is duh Lord!
Yes, He is duh King, He is duh Lord!
Jesus, Christ, de first an’ las’,
No man works like Him.
Ride on, ride on, ride on, ride on, Jesus!
Down By the Riverside
I’m gonna lay down my heavy load,
Down by the riverside,
I ain’t gonna study war no more.
I’m gonna lay down my sword and shield,
Down by the riverside,
I ain’t gonna study war no more.
I’m gonna sing with that heavenly band,
Down by the riverside,
I ain’t gonna study war no more.
Balm in Gilead
There is a balm in Gilead to make the wounded whole,
There is a balm in Gilead to heal the sin-sick soul
Sometimes I feel discouraged, and think my work’s in vain,
But then the Holy Spirit revives my soul again.
There is a balm in Gilead to make the wounded whole,
There is a balm in Gilead to heal the sin-sick soul
If you can preach like Peter, if you can pray like Paul,
Go home and tell your neighbor, “He died to save us all.”
There is a balm in Gilead to make the wounded whole,
There is a balm in Gilead to heal the sin-sick soul
Ain-a That Good News
I got a crown up in-a the Kingdom,
Ain’-a that good news!
I got a crown up in-a the Kingdom,
Ain’-a that good news!
I’m-a goin’ to lay down this worl’,
Goin’-a shoulder up-uh my cross,
Goin’-a take it home-a to my Jesus,
Ain’-a that good news!
I got a harp up in-a the Kingdom,
Ain’-a that good news!
I got a harp up in-a the Kingdom,
Ain’-a that good news!
I’m-a goin’ to lay down this worl’,
Goin’ a shoulder up-uh my cross,
Goin’ a take it home-a to my Jesus,
Ain’-a that good news!
I got a robe up in-a the Kingdom,
Ain’-a that good news!
I got a robe up in-a the Kingdom,
Ain’-a that good news!
I’m-a goin’ to lay down this worl’,
Goin’ a shoulder up-uh my cross,
Goin’ a take it home-a to my Jesus,
Ain’-a that good news!
I got a Savior in-a the Kingdom,
Ain’-a that good news!
I got a Savior in-a the Kingdom,
Ain’-a that good news!
I’m-a goin’ to lay down this worl’,
Goin’-a shoulder up-uh my cross,
Goin’-a take it home-a to my Jesus,
Ain’-a that good news!
Good news! Good news! Good news!
My Lawd! A-ain’-a that good news!
Get On Board, Little Children
Get on board, little children,
Get on board, little children,
Get on board, little children,
There’s room for many a more.
The gospel train is-coming,
I hear it just at hand,
I hear the car wheels rumblin’
And rumbling through the land.
I hear that train a-comin’,
She’s comin’ ‘round the curve,
She’s loosened all her steam and brakes
And straining ev’ry nerve.
The fare is cheap and all can go,
The rich and poor are there,
No second class aboard this train,
No diff’rence in the fare
Feel the Spirit: 1. Joshua fit the battle of Jericho
Joshua fit the battle of Jericho
Jericho, Jericho
Joshua fit the battle of Jericho
And the walls come tumblin’ down
You may talk about your king of Gideon
You may talk about your man of Saul
There’s none like good old Joshua
At the battle of Jericho
Well, up to the walls of Jericho
He marched with spear in hand:
“Go blow those ram horns” Joshua cried,
‘Cos the battle is in my hand.”
Joshua fought that battle,
So the Bible say;
And the walls come tumblin’ down:
Great day!
Then the lam’ ram sheep horns ’gin to blow,
Trumpets begin to soun’.
Joshua commanded the children to shout,
And the walls come tumblin’ down
Feel the Spirit: 2. Steal away
Steal away, steal away, steal away to Jesus
Oh steal away, steal away home
I ain’t got long to stay here
My Lord, he calls me
He calls me by the thunder :
The trumpet sounds within-a my soul
I ain’t got long to stay here
Green trees are bending
Poor sinner stands a-tremblin’:
The trumpet sounds within-a my soul
I ain’t got long to stay here
Feel the Spirit: 3. I got a robe
I got a robe, you got a robe
All of God’s children got a robe;
When I get to heaven gonna put on my robe
Gonna shout all over God’s heaven
Heaven, heaven
Ev’rybody talkin’ ‘bout heaven ain’t going there
Heaven, heaven
Gonna shout all over God’s heav’n
I gotta shoes, you gotta shoes
All of God’s children gotta shoes;
When I get to heaven gonna put on my shoes
Gonna walk all over God’s heaven
Ev’rybody talkin’ ‘bout heaven ain’t going there
Heaven, heaven
And then I’m gonna walk all over God’s heav’n
I got a harp, you got a harp
All of God’s children got a harp;
When I get to heaven gonna play on my harp
Gonna play all over God’s heaven
Ev’rybody talkin’ ‘bout heaven ain’t going there
Heaven, heaven
Gonna play all over God’s heav’n
I got a crown, you got a crown
All of God’s children got a crown;
When I get to Heaven gonna put on my crown
Gonna shine all over God’s heaven
Heaven, heaven
Ev’rybody talkin’ ‘bout heaven ain’t going there
Heaven, heaven
Gonna shine all over God’s heaven
Feel the Spirit: 4. Sometimes I feel like a motherless child
Sometimes I feel like a motherless child
Sometimes I feel like a motherless child
Sometimes I feel like a motherless child
A long ways from home a long ways from home
True believer true believer
A long, long ways from home
Sometimes I feel like I’m almost gone
Sometimes I feel like I’m almost gone
Sometimes I feel like I’m almost gone
A long ways from home a long ways from home
Feel the Spirit: 5. Ev’ry time I feel the spirit
Ev’ry time I feel the Spirit
Ev’ry time I feel the Spirit
Ev’ry time I feel the Spirit
Moving in my heart Lord I pray
O Lord I kneel and pray
Ev’ry time I feel the Spirit
Moving in my heart Lord I pray
Oh ev’ry time I feel the Spirit
Moving in my heart Lord I pray
Oh upon the mountain my Lord spoke
Out of his mouth came fire and smoke
Oh ev’ry time I feel the Spirit
Moving in my heart Lord I pray
Yes ev’ry time I feel the Spirit
Moving in my heart Lord I pray
Do Lord oh do Lord
Oh do remember me
Do Lord oh do Lord
Oh do remember me
Do Lord oh do Lord
Oh do remember me
Way beyond the blue in glory
I got a home in glory land that outshines the sun
I got a home in glory land that outshines the sun
I got a home in glory land that outshines the sun
Way beyond the blue
The River Jordan is chilly and cold
Chills my body but not the soul
And all around me looks so shine
I ask the Lord if it all was mine
I’m on the road to heaven now
You must take it too
I’m on the road to heaven now
You must take it too
Take it way beyond the blue in glory
Yes my Lord
Feel the Spirit: 6. Deep River
Deep river
my home is over Jordan
Deep river Lord
I want to cross over into camp ground
Oh don’t you want to go to that Gospel feast
That promised land where all is peace
Feel the Spirit: 7. When the saints go marching in
Glory glory hallelujah
The saints go marching in
Oh when the saints go marching in
Oh when the saints go marching in
Oh Lord I want to be in that number
When the saints go marching in
When the revelation comes
And when the revelation comes
Oh Lord I want to be in that number
When the sun refused to shine
Oh when the new world is revealed
Oh when the new world is revealed
Oh Lord I want to be in that number
When the new world is revealed
Oh when they gather round the throne
Oh when they gather round the throne
Lord I want to be in that number
When they gather round the throne
Hallelujah brothers hallelujah sisters
Hear the music going round and around
While the saints go marching up into glory
Oh hear those angel trumpets sound
And when they crown Him King of Kings
And when they crown Him King of Kings
Oh Lord I want to be in that number
When they crown Him King of Kings
And when the sun no more will shine
And when the sun no more will shine
Oh Lord I want to be in that number
When the sun no more will shine
And when the moon has turned to blood
And when the moon has turned to blood
Oh Lord I want to be in that number
When the moon has turned to blood
And on that hallelujah day
And on that hallelujah day
Oh Lord I want to be in that number
On that hallelujah day
We’re deeply grateful to everyone who chooses to support The Michael O’Neal Singers. Their generosity makes these concerts possible and reminds us that music is not something we create alone, it’s something we share together. If you’d like to join in supporting this work, you can make a gift anytime online.
Major Donors
Legacy
- Ronald B. Burgess
- Fulton County Board of Commissioners
- Chris & Dennis Love
- Lisa & George Gundersen
- F. Mike & Glenda Sullivan Holland
- Hughes Family Charitable Fund
- Judy & Michael O’Neal
- The Estate of Martha Boyd
Founder
- Jackie & Joe Brown
- Sandy & Barney Burroughs
- Tina and Dave Coté
- Rebecca & Clay Hales
- Gail & Lee Herring
- Jan & Glenn Rosenkoetter
Conductor
- Armstrong Donor Advised Fund
- Mary & Joe Griffin
- Diane & James Hargreaves
- Marsha & Allan Kennedy
- Terry & John Murillo
- Cammie & Eric Stephens
Annual Fund Donors
Benefactor
- Thomas Fowlkes
- Peter Hildebrandt
- Jeannie Kostiuk
- Rachel and Hilary Thornton
- Kenneth Winkler
Associate
- Karen Kolpitcke
- In honor of Donna & Jack McCoy
- Judy Scharf
- Neal Watson
Sponsor
- Linda & Tim Clagg
- Carrie Clark-Urmanski
- Andrew Kagan
- Brenda Lundy
- Kyle & Charlene McGowan
- Richard Phillips
- Patricia Steffen
Friend
- Sara Branch
- Elissa Clayton
- Cathy Hanna
- Gail Hogue
- Janet Hubler
- Susan Hughes
- Lisa Jensen
- Pam Johnson
- In honor of Sean Kilpatrick
- Gene Patterson
- Sharon Perkerson
- Diane Pittman
- Ruben Ramirez
- Bernard Santa Maria
- Paula Smiley
- Alison Stokes
- Carol Thompson
- Elizabeth Whitson
- Joyce Wolfe
